There's only one distortion element in the signal path - a preamp stage similar to that found in Decimort, offering an emulation of analogue 'diode clipping' distortion, with Threshold and Knee controls. It's billed as a multi‑band plug‑in, but isn't, at least as I understand the term. Ugly, but mostly in a good way.ĭevastor likewise sounds like a sinister figure from a JK Rowling book, but is actually a distortion effect. All manner of fizzing, ringing, clanging and crunching effects can be applied to almost anything drums are the most obvious candidate, but if, like me, you retain a weird nostalgia for the sound you got by plugging your first electric guitar into the mic socket on your parents' music system, the preamp distortion will get you surprisingly close. Not being lucky enough to own an MPC60 or similar, I can't vouch for Decimort's accuracy in emulating classic samplers, but I was very impressed by the sheer range of nasty noises that you can make. These are followed by an anti‑aliasing filter and a conventional resonant filter that offers all the standard filter responses. The signal path begins with a preamp control, which imparts a crunchy, solid‑state clipping distortion when you ramp it up, before the left and right channels pass through independent but linkable bit‑depth and sample‑rate reduction stages (I'm unsure why you'd ever want to unlink them, personally). There are still samplers and drum machines from the '80s that command high prices because of the particular brand of crunchiness they impart to the source, and of all the innumerable 'bit crushing' effects, no two ever seem to sound quite the same.ĭ16's Decimort is the first such plug‑in I've encountered that includes presets emulating the sound of classic hardware like the Akai MPC60, Emu Emulator, Casio FZ1 and so forth. This feature is obviously designed for more experienced users, but its good to know that this instrument isn’t just a randomizer.Īll in all, Synplant can be a welcome addition to your sonic arsenal whenever you decide that you want to add some experimental and unpredictable soundscapes to your music.Reducing the bit depth and sample rate of a digitised signal is a fairly simple business, so it's a source of constant wonder that it can yield such individual and widely varied results. However, if you really want to have more control over the sounds it produces, you can always access the seed's DNA and carefully adjust each parameter. ![]() It’s true that Synplant was designed to be used mostly as a random sound generating tool that requires only minimal tweaking. Synplant is quite a creative tool, and the simple interface means that it will take only a few clicks until you hear the first results. This results in some pretty unusual soundscapes that you can add to your mix. You have a few additional parameters that allow you to adjust tuning, atonality, or release, but the body of the sound comes from the seed and its branches. At the center of its small interface, you plant a seed, then using your mouse or the modulation wheel you can grow some branches, which represent the sounds that you can work with. Difficult, right? Well, "a plant-based synth" is probably the best way of describing Synplant. I dare you to name an existent plant-based virtual synth or even to imagine the existence of one. ![]() Today we’re going to take a look at one such unusual entry this one is called Sonic Charge Synplant. Naturally, some synths are better than others, but few of them can really be labeled as unique. And while many virtual instruments just try to emulate the sounds and designs of their hardware analog counterparts, there are also many developers who try to create something new entirely. ![]() ![]() Ever since synthesizers became available in the software world, the possibilities have become endless.
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